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  1. Off Topic Discussion

    1. The Lounge

      For light hearted discussions with other forum members for those stuck in the office all day, and those just in from school!

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  2. The Scott Mills Show

    1. The Scott Mills Show

      For discussion of all things from The Scott Mills Show on BBC Radio 1... even what Chappers is up to these days.

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    1. BBC Radio 1

      Radio 1 geeks can go here to talk about the station, the DJs, the schedules, the events and more.

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    2. Radio 1 Geek Talk

      For the radio anoraks to discuss Radio 1 jingles, station imaging and anything else ultra geeky.

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    3. Radio 1's Big Weekend

      Discussion about Radio 1's flagship music event - taking place across the country every year.

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  • Posts

    • I wonder if that's because 1xtra breakfast will be a co-hosted slot going forward? 
    • I'm not sure I know the reason exactly, but I do know that there have been several changes to the studio allocations recently (since the new schedule started this month). So on weekdays Adele and Clara's shows now come from 82F. Weekends Arielle and Jordan also now come from 82F.  The chart comes from 82E and Danny is in 82B. Interestingly, the 1Xtra breakfast show has been in 82D recently - it always used to be 82F. It seems that any shows with a co-presenter must come from 82A or 82D as these studios are larger, making social distancing possible.
    • I Know I have asked this before, but never had a solid answer, and some newer members may know, so why is it on a Friday and the weekend the studios seem to swap for example on a regular weekday Adele, Clara, Grimmy and RMC are in 82D and Greg, Scott, Annie and Jack come from 82A but at weekends it seems to change, Arielle 82A, M&M 82D, Jordan 82A, Dev 82D, Scott 82 (E/F??) Annie 82A and Danny 82D  Anyone have any idea why this happens, also why doen't Scott just use 82A on a Friday or is that because Annie insists on 82A every time 
    • It’s an interesting point. But the BBC had been subject to BBC Trust/Ofcom restrictions for years when it comes to audio content. They were banned from doing any podcasts that weren’t radio best-bits, hence the surge in the last few years against BBC Sounds. So they’re already playing catch up in the audio field, any restriction on a station like this just feels wrong on those grounds. The music played by R1 Dance is hardly over-served by commercial stations. Heart Dance is much poppier than Pete Tong, for example.
    • Just received this: The Chair of the All-Party Parliamentary Group (APPG) on Commercial Radio is calling on Ofcom to conduct a review of the BBC Sounds platform following plans for a new 24 hour BBC Radio 1 Dance service.   Earlier today (Thursday 17th September) the BBC announced an extension of the Radio 1 brand with Radio 1 Dance set to launch on BBC Sounds on 9th October. Andy Carter MP, Chair of the APPG, is now urging Ofcom to review the BBC Sounds platform as the BBC continues to invest undisclosed sums of licence fee income into an expanding service that is hardly distinctive and essentially replicates services already available to listeners.   Andy Carter MP, Chair of the All-Party Parliamentary Group on Commercial Radio, said: “It’s imperative for the future of the BBC that it provides high quality, distinctive content that warrants its significant licence fee income. I am concerned about the serious lack of transparency and scrutiny of the BBC Sounds platform. New services like Radio 1 Dance do not appear to meet the important public value tests that the BBC must observe. I hope Ofcom will conduct a thorough review of BBC Sounds as a matter of urgency.”   Siobhan Kenny, Radiocentre CEO, commented: “We were encouraged to hear new Director General Tim Davie emphasise that distinctiveness and true public service value should be at the heart of all BBC content. It is disappointing therefore to see this announcement of a new 24 hour dance stream. It is really difficult to understand what qualifies as distinctive in this offering. Commercial radio has a rich catalogue in this area, and is very popular with audiences. We know the BBC is struggling to attract younger audiences but launching in competition to existing, UK based providers, who rely on advertising revenue rather than public funding, is really not the way ahead. We agree that it is time for an urgent re view.”
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