27th December 6am - Chillout Anthems 7am - Weekend Breakfast with Joel Mitchell 10am - Group Chat with Nat and Minah 1pm - Dan Draper 4pm - Dance Anthems with Connor Coates Coates  28th December  6am - Chillout Anthems 7am - Weekend Breakfast with Joel Mitchell 10am - Group Chat with Nat and Minah 1pm - Dan Draper 4pm - Life Hacks/Chart First Look with Lauren and Shanequa 29th/30th December 6am - Mylo and Rosie 10am - Ore and Swarzy 2pm - Emil and Lauren R 31st December 6am - Mylo and Rosie 10am - Ore and Swarzy 2pm - Party Starters with Emil and Lauren L 6pm - Party Starters with James Cusack 10pm - Party Starters with Connor Coates 1st January 6am - Mylo and Rosie 10am - Ore and Lauren L 2pm - Emil and Lauren R 6pm - BBC Sound Of 2026 8pm - Jade at BBC Proms 9pm - Powerdown Playlist with Sian Eleri 2nd January 6am - Mylo and Rosie 10am - Nat and Vicky 2pm - Sam and Danni (with chart at 4) 6pm - Jaguar 8pm - Martha

In the style of Greg James' "rogue promises" can you think of any Scott has yet to complete? I remember he wanted Obama on Innuendo Bingo!

Just to add its Mark Goodier covering Breakfast and Spoony Covering Drive Crimbo Limbo week but no mention of who is covering the other shows yet.

I mostly listen to Capital but can tune around after Breakfast. Sometimes I end up on Radio 2 and as a 48 year old who still likes newer music, I can still find Radio 2 a bit "old" for me.  No disrespect to Ken but he is of an age where everybody seems younger than him... I haven't listened to so much of Radio 1 since Jordan left (Dance Party Starters being one of the few shows I regularly listen to and sometimes Going Home when no Jamie) but I actually find it a bit of a tough listen when working.  The fact nearly every show has 2 or 3 presenters makes them all sound very similar when sometimes I just want music with links and a lot of the content sounds the same.

On the opposite end of the scale it feels like a struggle trying to get people my age on board, given we are out of Radio 1's target audience. I'm not sure anyone is defining it as "cool" nor do I think it's trying to be. And I don't mean that in a rude way! 

The stations have always evolved; Radio 2 has gone through tremendous upheavals over the years.  I really struggle to hear it as “cool”; it’s still to me (a person in my early 20s) pretty jarring to listen to in terms of style, even though I love presenters like Scott.  It’s gone younger quite clearly, but it’s always done that and if it never did all its listeners would die.  I think in terms of listenership drop that’s probably an unavoidable trend for big national networks; Radio 1 also in long term decline, it’s a fragmenting landscape where 8 million audiences for a single show are probably a thing of the past.  But working to remain relevant to the young end of your target (Radio 2 starts targeting at 35, remember, so not too old) probably stands you in better stead medium term even if it does cause a big drop short term.

Ken Bruce has stirred things up again with his comments about Radio 2’s direction. In a recent interview he warned the BBC against trying to make the station “cool”, saying there should always be a clear divide between Radio 1 and Radio 2. In his view, Radio 2 is a “state of mind”, not just a playlist, and people over 35 are generally comfortable being “uncool”. His blunt line was: “Radio 2 thinking it’s cool is the worst thing we can do.” At the same time, there’s no ignoring the drop in listeners since he left – 8.1m down to 6.6m for the mid-morning show. Bruce says he’s aware of the fall, and admits some listeners followed him to Greatest Hits Radio, where his own audience has apparently doubled. But the BBC is adamant everything’s fine. They’re still calling Radio 2 the UK’s most-listened-to station, and point out that Vernon Kay’s show is still attracting 6.6m people a week. They’re clearly trying to adapt the station, refresh it, and keep it relevant. And to be fair, times do change. Audiences shift, music moves on, and younger Gen X listeners don’t necessarily want the same tone or sound that older listeners did ten years ago. So is Ken right that Radio 2 should stop chasing “cool” and stick to what made it work for decades? Or, is he simply holding onto an era that’s gone, while Radio 2 genuinely needs to evolve to stay alive?