Jump to content
Unofficial Mills

Reflection on Aled’s Tenure


R1Fan1

Recommended Posts

Given that we are almost four years into Aled Haydn Jones’ tenure, and it has been packed full of schedule changes, it’s worth looking back at this point and seeing how well he has succeeded.

For reference, some of his big decisions:

1. Moving specialist programmes to start an hour earlier at 6pm, and moving Early Breakfast and Breakfast to start 1 hour and 30 minutes later respectively.

2. Removing Clara from daytime and putting her on Future Sounds.

3. Ending the evening entertainment show and moving RMC to daytime.

4. Letting Dev go.

5. Giving Arielle early breakfast.

6. Changing the Friday schedule so that Greg hosts breakfast five days a week and introducing a Friday EB residency.

7. Putting Vick and Jordan together.

8. Putting Dean and Vicky together

9. Replacing Jordan with Jamie Laing (presumably under timed conditions). 

10. Letting Chris Stark go?
 

obviously some decisions have presumably been made over him, E.g. Grimmy, Annie, Scott and Jordan leaving of their own accord.

so what do we think, has he made these decisions too quickly. Are there too many duos now? What’s everyone’s thoughts? 

Link to comment
Share on other sites

It's funny he is credited with ending the weekends on Friday, because I'm sure it was his decision as head of programmes to introduce them! 

In fairness to Aled he seemed to bring the Radio 1 family together for much of his time as boss, hopefully he can reunite them all again now.

Also worth pointing out he's been through the toughest period of any boss. Through a pandemic and homeworking!

Link to comment
Share on other sites

I believe most of the changes were for good during Aled's tenure. I saw someone accuse Aled of letting Jordan go, but I think that's highly untrue. He was already doing the second biggest R1 show, and putting him on breakfast would also be a bad choice because it would mean letting Greg go. All in all, I think Aled's working with what's available money and people-wise. I'm just not sure about recurring features such as missions for the presenters and the overuse of the Anthems format.

Link to comment
Share on other sites

1 minute ago, IamNotFromUK said:

All in all, I think Aled's working with what's available money and people-wise. I'm just not sure about recurring features such as missions for the presenters and the overuse of the Anthems format.

I think there is a lof of truth here.  Jordan's decision will no doubt be partly money-driven (as is his right and all our rights to go somewhere for more money) and the BBC gets lambasted when it tries to compete for wages.

Link to comment
Share on other sites

I think like any controller of a station as big and with as diverse range of programming, reach and audience diversity like radio 1 it’s always going to be pros and cons. I’d say the BBC have the hardest stations to run and programme as no commercial station would have a rock show and a rap show  on the station.

Pro’s:

- extension of the stations introducing programming with creating programming reflecting new rock and dance acts

- creating new opportunities for new and emerging talent to contribute and be platformed by the station over the Christmas and New Year period and over set of Friday early morning show making firsts with first ever trans and non-binary people to present on radio 1 and having opportunities for blind, neurodivergent and wheelchair using presenters creating opportunities to access workplaces that otherwise have been hard to access.

- Launching the Annie Nightingale Scholarship programme giving opportunities to support the careers and new emerging female and non-binary talent in the electronic and dance dj and production scene 

- having more female presenters on air whereas previously the schedule was much male dominated 

- creating a brand with the specialist programming that the station has long been associated with in playing new music from established names and new talent here and abroad with Future Pop, Dance, Alternative, Soul and Artists. Fully fledging the Future Sounds and the Hottest Record as the flagship show to bring them all together

cons:

- reduction of hours of programme playing new emerging music from multi-genres and supporting alternative and less mainstream talent and reverting to playlist programmes that are akin to a streaming service or a commercial network 

- linking to the first con the increase of playlisted shows like Radio 1 Happy, Radio 1 Anthems, Radio 1 00’s and Radio 10’s to repeats of Dance Anthems programmes from a Saturday in the overnight slots on a weekday to Power Down Playlist Monday-Wednesday

- daytime playlist playing a lot more older music and the problem with hot re-occurents and overplay and repetition of tracks  

 

Link to comment
Share on other sites

1 hour ago, onlyME said:

It's funny he is credited with ending the weekends on Friday, because I'm sure it was his decision as head of programmes to introduce them! 

In fairness to Aled he seemed to bring the Radio 1 family together for much of his time as boss, hopefully he can reunite them all again now.

Also worth pointing out he's been through the toughest period of any boss. Through a pandemic and homeworking!

I actually think the four dayer was Cooper’s doing

Link to comment
Share on other sites

1 hour ago, R1Fan1 said:

And of course there has also been budget cuts during his time as well.

The budget cuts have frankly been bizarre. We can see how Radio 2/ 1/ 1X/ 6M/ Asia N’s London programmes coming from the 8th of NBH is a budget cut with selling up shop at Wogan house. But taking Dance new Radio 1 station to DAB and Radio 2 and 3 getting new stations and the doubling down on duos and going for celebrity names. Cuts have been bizarre. 

Link to comment
Share on other sites

52 minutes ago, BBCAaron said:

 doubling down on duos and going for celebrity names

If you compare presenter salaries published by the BBC, you'll see that a few years ago there were three R1 names: Scott Mills, Nick Grimshaw, and Greg James. Last year, there was only one - Greg. No one makes it even to the lowest £178,000 - £184,999 bracket, so I presume that two presenters on daytime cost roughly the same or even less than one in the past. But they're getting two presenters instead of one, and this means that they can do their shows on their own if someone's sick, which also saves money.

Also, some current presenters do only a few shows a week, and higher-paid weekday presenters are doing only Monday-Thursday, which I presume also saves money. I remember that Jordan was complaining some time ago that when he was doing only a few weekend shows a week, he was barely able to live in London. And now some shows are moving from London which also helps to save money, as the BBC can pay less to those people.

Link to comment
Share on other sites

He never went through with Ask Aled which is a shame as he has been more pro-active than other Radio 1 bosses. I think the probing questions gave the PR people a heart attack, which is probably why it never happened. I am unsure of the Radio 1 PR machine after recent events. 

The good thing about Aled is how he rose through the ranks. He wasn't just put there without a clue about how the station works. 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Posts

    • Find Noah Kahan is just busker music. I mean I was pleasantly surprised that Ezra collective were in session for Jack Saunders on his new shoes and he is playing their latest track wouldn’t have thought few years back that at 6pm in the evening jazz music would be played. I hope if can get the green light and launch the 00s/10s station that the focus is on more new music be it pop mainstream and alternative genres on the main 1
    • Scott's show is perfect for the office. If Matt and Mol have a podcast I'd listen to that. All the fun without the Gen Z rappers. 
    • Similar to SZA’s Kill Bill, the word “kill” had been initially cut out of Taylor Swift’s Fortnight. But it seems like they are now playing an unedited version.
    • Also hopefully won't get my head bitten off for this but I'd say of the current Radio 1 DJs the one arguably most similar to Scott Mills's latter time on Radio 1 would be Mollie. I'm not saying she's as good as Scott was to be clear but she is that sort of vibe. 'Future Pop' is exactly the sort of music Scott would be championing and you can tell Mollie has the same passion for it that Scott did. There's that Party Anthems link too - a show Matt & Mol do that previously Scott did and they bring a similar energy to how Scott did that makes it a fun listen. Matt & Mollie seem to just have that natural connection with the listeners that Scott & Chris did that you can't manufacture.
    • I find at the minute I'm a bit of a nomad when it comes to radio stations. Often the Radio 1 playlist really doesn't appeal to me these days and I did wonder is it just me tiring of new music but then I'll listen to Future Pop and Party Anthems and there's loads of tunes on there that I love and they're excellent listens but just too few of those make it to the playlist. Radio 2 may arguably be more to my taste music wise but also often feels too rooted on the past. Plus much of the content just doesn't appeal to me and verges on the 'mumsy' side. Plus Radio 2's new music can feel very 'middle of the road' - just because I don't enjoy some of the Radio 1 new stuff it doesn't mean I want Take That & Will Young as 'new music'. For me currently if I'm tuning in for radio it'll be Jordan North on Capital Breakfast, on Radio 1 Matt & Mollie, (if Jamie is off)  Going Home and Sam & Danni plus there's also Capital Dance and Mistajam. They all hit the mark for me in a way other shows don't.
    • Matt & Mol for me. For those that enjoyed Scott's Radio 1 show, Matt & Mollie are the natural successors (even more so than Scott's Radio 2 show) - two best mates doing a fun show packed full of content For one thing Matt & Mol inherited two of Scott's ex producers in Amy & Helena. Some Matt & Mollie features you could easily imagine Scott doing e.g. Matt vs Mollie and some feel near identical (can see 'Battletracks' taking the old 'Bangers' slot as it feels heavily based on that feature). Also while this may be down to being a weekend show Matt & Mol's show does seem to lean in a more pop direction and seems to deviate from the playlist more than some other shows- which helps as the Radio 1 playlist can be quite marmite and get samey very quickly. Something just doesn't hit the mark for me with Scott on Radio 2. It feels like it's aimed at somebody about a decade older than me and relies heavily on Noughties nostalgia. Scott too I feel works best with somebody else to work off and is missing that fun element he had with Chris and previously Chappers. It's fine but not something I'll go out my way to listen to.  
    • Random idea time: condense all the throwback shows into one three hour show from 10am to 1pm on a Saturday, get Katie Thistleton back to host it (as Charlie does with Dance Anthems on a Saturday), call it “Radio 1’s Bottomless Brunch with Katie Thistleton” and just have 3 hours of throwbacks from across the decades, not just 00s or 10s, just a mix of everything. The occasional 90s anthem, tunes from the early 2020s, just 3 hours of pure feel good
    • I think it's great the amount of choice out there right now. I could happily listen to Greg or Jordan in the morning, Going Home or Huw Stephens in the evening, or Scott and Matt and Mollie in afternoons.  Still a few times when I'm channel hopping but maybe that's healthy to check out what's around.  As that research pointed out, Scott is good for minimal distractions. If you want some chaos I dare say it'll be Matt and Mollie offering that.  Plenty of my friends say it's the Radio 1 playlist that puts them off, even if they like the DJs. So Radio 2 is more preferable. 
    • I quite quickly gave up on Scott’s show on R2 as I realised it wasn’t my kind of vibe. I do listen to the Scott Mills weekly to catch up, because I still think Scott is great, but there is just something missing (for example, he played out some clips recently of the old sleep recording app from the R1 days, and didn’t play ‘go and open the window Garry’ - or if he did, it didn’t make it to the podcast.) I don’t see them changing it now or making it any ‘younger’ than it is.   Matt & Mollie in the afternoon is something that I’m really looking forward to. They are such an interesting and funny listen. It has given me a different dilemma though, as 1pm has been the perfect time for me to catch up on the Capital breakfast show and takes me perfectly to the end of my working day, so now I’ll probably have to forego listening to that and stick with R1 for Matt & Mollie. These shows need podcasts because it’s already giving me fomo. 
    • Even for the older Radio 1 listeners (of which there are still quite a few) Scott’s show doesn’t feel quite right.  (That’s nothing on Scott who sounds good but more the station sound and content). Since moving to Capital Breakfast I haven’t been listening to much Radio 1.  I always found the shows outside of Breakfast and Drive more wallpaper due to my working day and the show content of RMC and Dean and Vicky so Capital is just background noise to me after enjoying Breakfast.
    • I love Scott but if you're a 20 or 30 something that enjoyed his last few years of Radio 1 the Radio 2 show just doesn't translate. Stars from Neighbours or 90s singers just aren't my cup of tea and I can't get enthused about some has been at Radio 2 in the Park or some country music countdown.  Until that changes I will probably more likely listen to Matt and Mollie.  The Steve Wright fans think Radio 2 has turned into Radio 1 but it has a long way to go to win over the older R1 audience. 
    • Radio 2 brought in Scott to bring the afternoon audience age down, but I feel with Matt and Mollie replacing Dean and Vicky they're going to be competing for a similar audience. Will Scott's show evolve to bring in more listeners or do you think they will be comfortable with the audience they currently have?
    • Yes I'm the same with 6Music. Huw Stephens offers something different. 
    • They are an answer. I do listen to 6 Music quite a bit but kind of feel like it isn’t for me unlike the New Music Fix Daily, Huw Stephens who I’d happily listen to. Think it’s a generational thing and music preference. But it’s like how 1 Xtra cut down Snoochie Shy’s nightly show to just Monday and with Wednesday and Thursday with just playlist programme. I just miss the days of having more choice of that time of night.
    • Practically speaking, Riley & Coe on 6Music is the answer to that problem - but I get your overall point.
×
×
  • Create New...