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Unofficial Mills

Old Codger Fan

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Posts posted by Old Codger Fan

  1. MON

    6am 5Live Breakfast

    7am Chris Evans - Virgin

    9am Greg James - R1

    10am Vernon Kay - R2

    11am James O Brien - LBC

    12noon Jeremy Vine - R2

    2pm Matt & Mollie - R1

    3pm Jane & Fi/ John Piennar - Times

    5pm Simon Mayo - Greatest Hits

    6.30pm Comedy - R4/ R4 Extra

    7pm Danielle Perry - Absolute

    8pm Huw Stephens - Radio Wales

    9pm Blues - R2

    10pm Riley & Coe - 6Music

    11pm Night Tracks - R3

    11.30pm Comedy - R4 Extra/ R4

    TUES - AS MON - EXCEPT:

    8pm Sian Eleri - R1

    9pm Jazz - R2

    WED - AS MON - EXCEPT:

    8pm Future Pop - R1

    9pm Folk - R2

    THURS - AS MON - EXCEPT:

    12noon Adrian Chiles - 5Live (Back to Jeremy Vine, R2 at 1pm)

    6pm-7pm Huw Stephens 'Round Table' - 6Music

    8pm Jo Whiley - R2

    9pm Country - R2

    FRI - AS MON - EXCEPT:

    12noon Adrian Chiles - 5Live

    1pm Ellis & John - 5Live

    2pm Craig Charles - 6Music

    4pm Official Chart - R1

    6pm Requests - R2

    7pm Majestic - Kiss

    9pm Indie - 6Music

    10pm Nick Abbot - LBC

    SAT:

    7am 60's - R2

    8am Radcliffe & Maconie - 6Music

    10am Rajesh Ranganathan - R2

    12.30pm Comedy - R4

    1pm Pick Of The Pops - R2

    3pm Whoever's doing this now! - R1

    4pm Sound Of Cinema - R3

    5pm Sport - World Service/ 5 Live/ 5 Live Sports Extra

    6pm Stateside - Planet Rock

    7pm Craig Charles - 6Music

    9pm 80's - R2

    10pm Nick Abbot - LBC

    SUN

    7am Classic FM Breakfast

    8am Radcliffe & Maconie

    10am Desert Island Discs/ Reunion etc - R4

    11am Desert Island Discs - R4 Extra

    12noon Cerys Matthews - 6Music

    1pm Guy Garvey - 6Music

    2pm David Rodigan - Radio 1 Xtra

    3pm Whoever's doing this now! - R1

    4pm 70's - R2

    5pm Charts - Capital

    6pm Charts 'First Look' - R1

    7pm 'My Planet Rocks' - Planet Rock

    8pm Chilled - R1

    9pm Paul Gambaccini - R2

    10pm Comedy - R4 Extra

     

  2. 35 minutes ago, BBCAaron said:

    ... but from 10pm onwards you don’t have the presenter chatting to the listener or that live feel as sometimes you need at that time.

    Practically speaking, Riley & Coe on 6Music is the answer to that problem - but I get your overall point.

  3. Not a fan of Jack Saunders, but ...  This is a marked improvement over Clara Amfo (almost anything would have been) - And it's also better than what JS was doing in his previous slot - He's definitely been listening back to Zane Lowe, and drawing lessons from that.

  4. 3 hours ago, Bluestraw said:

    At risk of this being a massive 'Whoooooo?' for most people on here, mine was Bruno Brookes on the Top 40 ...

    Bruno Brookes was really good at that, yes .. and he needed to be, because he was up against David Jensen on Capital.

  5. 12 minutes ago, ianwilk1999 said:

    Dannys stories are cringe, the talking points are cringe and the refs to real world things are cringe.

    I notice on BBC Sounds that Matt & Mollie's 23/03/24 show (following Danny's) was titled, "A Short History Of Cringe".

  6. Alan Freeman - 1989 - Saturday Rock Show.

    Then branched out into Andy Kershaw, Johnnie Walker, John Peel, Tommy Vance, Bob Harris and many more.

    My family always told me that I would "grow out of" all that noisy rubbish.  It was therefore incomprehensible to me when Matthew Bannister set about culling most of the old guard, as that was proof-positive that some of us never grow out of it.

  7. Sudden departure of Graham Norton at weekends has led to my sudden departure from listening at weekends.

    They're not even trying to replace it as a 'Main Attraction' slot, at this point.

    Thank goodness for the imminent arrival of Romesh Ranganathan at R2!

  8. Forgive me if this has been answered already, elsewhere. Just something I'm curious about.

    When they 'extend' the actual record into an 'instrumental section' (to talk over, afterwards), how is this done?

    1/ With their own 'vocal-removing' technology?

    2/ By getting cover bands to make something that will sound very similar?

    3/ By receiving extra tracks from the record companies, for that purpose?

    4/ By clipping instrumental parts from the record - or a 'B-Side'/ '12"' type alternate version of it??

    Whatever the answer, I think there's an over-reliance on it - but that's a different topic!!

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