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18 July 2014: Ryan Tedder explains how he writes hits everywhere

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18 July 2014: Ryan Tedder explains how he writes hits everywhere

 

A storm defeats Scott’s camera

Lightning had kept Scott awake at three in the morning. He repeatedly tried to photograph it and captured only dark sky. Listeners explained that the easier method was to record video and extract a still frame afterwards, advice which arrived once the storm had already moved on.

The heat also produced adult tantrums and childish “drop-ons”. Scott admitted being unnecessarily sharp when Chris returned from netball because he felt he had missed out, while listeners described customers and colleagues losing patience over objects directly in front of them.

Ryan Tedder carries a studio and a candle

Ryan Tedder’s first industry plaque came from his work with t.A.T.u. Years later he was balancing OneRepublic with songs for other artists, using the long empty stretches of touring as writing time. He could play Call of Duty, but guilt arrived after an hour or two when a song might have been written instead.

He travelled with a portable recording setup and worked extensively in hotel rooms rather than conventional studios. A scented candle made anonymous rooms and backstage areas feel familiar during trips lasting several weeks. The combination of laptop, microphone and fragrance turned almost any stop into a usable workplace.

Sometimes a song begun for another artist became too valuable to give away. OneRepublic had grown large enough to compete for material that Tedder might once have handed directly to a bigger name. He wanted the band to keep changing sound, pointing to Queen, The Beatles and The Beach Boys as acts that had not repeated one fixed formula.

Love Runs Out finds its missing section

“Love Runs Out” existed around the same period as “Counting Stars”, but Tedder could not complete it satisfactorily. The missing idea finally arrived in a Berlin hotel room, allowing the song to become a OneRepublic single rather than an abandoned sketch.

He discussed writing with Diana Vickers, a new One Direction track and the caution required when talking about work connected with Adele. His own phone number had remained the same for years, although several additional lines helped manage the volume of calls.

The interview also covered UK and Irish arena dates. Scott inserted Dave Pearce’s “Stars” into a montage of Tedder hits, but the guest did not notice the intruder.

Danny Howard becomes Gary Lucy again

Danny Howard joined Real or No Real, while the programme continued its habit of calling him Gary Lucy. Japanese fire engines did not play reassuring music and a proposed Star Wars WhatsApp service was fictional.

Danny really did regret a padlock “bromance” tattoo connected with Alan Titchmarsh. Scott won 10–0, a low-scoring conclusion to an interview in which Ryan Tedder had described turning unused hours into global records.

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