Jump to content
Unofficial Mills

Recommended Posts

Posted

I really enjoy listening to Nat on a Sunday morning such an easy listen. However i am not a bit surprised they have already dropped the second hour of Radio 1 00s for Radio 1 10s. Just annoys me abit that they assume everyone who listens to Radio 1 was born in the 2010s. I dunno might just be old man 33yr old me showing my age? What do you guys think?

Posted
6 hours ago, TheSaviourisHere said:

I really enjoy listening to Nat on a Sunday morning such an easy listen. However i am not a bit surprised they have already dropped the second hour of Radio 1 00s for Radio 1 10s. Just annoys me abit that they assume everyone who listens to Radio 1 was born in the 2010s. I dunno might just be old man 33yr old me showing my age? What do you guys think?

They haven’t assumed anything regarding listeners ages but I think with the 00s show 2 hours of music of artists that don’t hit the playlist and some of them rare request choices it feels odd to play some boy bands and pop acts of the 00s like Robbie Williams or Blue or the one hit wonders as they are becoming more radio 2 territory and 6 music for their forever shows. Think I referenced it the other week with their target audience under 30 it would make sense to have two hours of weekend do think two hours of songs between 13-23 wouldn’t suit the majority of the target demographic I’m not saying that songs that are that old have no place on the station. But as a listener you want that blend of new and old. I think that for daytime absolute and heart are better suited to targeting that music taste demographic.

Posted

To me I think they made a good decision ditching the two hour 00s though If the station wants to continue with it I’d just move it into the weekend earlies slot or first hour of Sam & Danni’s breakfast show and go for more of a mix think having a typical playlist that could allow Nat O’Leary to develop it as more content driven and having a few features like Jordan & Matt did when they had that slot and having a blend of maybe having sunday as a day where the music sounds a lot calmer and Saturday having a more party vibe. 

I’d like it if the station consider ditching having Anthems and music heavy playlists slotted in daytime and had it say 

Radio 1 00’s 06:00-06:30

Radio 1 10’s 06:30-07:00

Sam & Danni 07:00-10:00

Nat O’Leary 10:00-13:00

And the rest… 

Posted
9 hours ago, TheSaviourisHere said:

I really enjoy listening to Nat on a Sunday morning such an easy listen. However i am not a bit surprised they have already dropped the second hour of Radio 1 00s for Radio 1 10s. Just annoys me abit that they assume everyone who listens to Radio 1 was born in the 2010s. I dunno might just be old man 33yr old me showing my age? What do you guys think?

Honestly I think it might be you showing your age a bit, I’m sorry to say. I’m 20 so right in the middle of radio 1’s 15-24 target demographic and so I was born in 2002. I wasn’t actively listening to and enjoying music until the late 2000’s, early 2010’s so I think Radio 1 10’s sounds right on brand and the type of thing Radio 1 should be doing. Ever since it started I have thought that 00’s has sounded a bit old for the station. 

Posted

My main issue is it gave Nats show an identity. I listened to her on Saturday covering Katie and it offered not a lot just plenty of shout outs. Hardly a must listen. Her Sunday show has always reminded me of Vernon/Coxy's Lie-In Show from years back(again showing my age) I think within 12 months if Nat is still on Sundays the 00s/10s will be dropped all together for a generic show

Posted
1 hour ago, TheSaviourisHere said:

My main issue is it gave Nats show an identity. I listened to her on Saturday covering Katie and it offered not a lot just plenty of shout outs. Hardly a must listen. Her Sunday show has always reminded me of Vernon/Coxy's Lie-In Show from years back(again showing my age) I think within 12 months if Nat is still on Sundays the 00s/10s will be dropped all together for a generic show

Agreed with the likelihood of this but when she is given a generic show it can either make or brake your career. I understand that covering someone else’s show unless you have built up a large audience and a listeners like Scott did with his breakfast stint it would be barely a must listen. But maybe got to give Nat some chance.

Posted
4 hours ago, Old Codger Fan said:

R2's Pick Of The Pops should be hoovering-up more of the 00's, in any case .. Come to think of it, a 'Sounds Of The Noughties' show wouldn't go amiss, either.

Agreed,with Rylan, Scott, Angela Griffin, DJ Spoony spinning 00s tracks on 2 it would be a better fit.

Posted
12 hours ago, Dan18F1 said:

Honestly I think it might be you showing your age a bit, I’m sorry to say. I’m 20 so right in the middle of radio 1’s 15-24 target demographic and so I was born in 2002. I wasn’t actively listening to and enjoying music until the late 2000’s, early 2010’s so I think Radio 1 10’s sounds right on brand and the type of thing Radio 1 should be doing. Ever since it started I have thought that 00’s has sounded a bit old for the station. 

Agreed, this is how I see it as someone who is 23 if its an artist who still makes the playlist and is getting played on the station a rare throwback from them wouldn’t go amiss but the 1 hour of music from that era doesn’t work for the station as it’s good to still have some new tracks within an hour on air in daytime.

Posted

I think if Radio 1 do eventually drop 00s show then yes i can see Sounds of the 00s coming to Radio 2. I remeber when Absolute Radio used to do the 80s Hour every morning at 10 and it was so popular next thing you know the birth of sister station Absolute 80s

Posted

The problem is with Radio 2 having the 00s stuff, is that they need to grow some balls so to speak. We can't have play it safe Sophie Ellis-Bextor and Will Young all the time. They need to play stuff like Pendulum, Linkin Park, Slipknot. Some of the popular dance and trance stuff too. This is how the 00s was and how we remember it. Otherwise if they don't it still suits Radio 1 better. 

on the grid.

Posted
4 minutes ago, DC said:

The problem is with Radio 2 having the 00s stuff, is that they need to grow some balls so to speak. We can't have play it safe Sophie Ellis-Bextor and Will Young all the time. They need to play stuff like Pendulum, Linkin Park, Slipknot. Some of the popular dance and trance stuff too. This is how the 00s was and how we remember it. Otherwise if they don't it still suits Radio 1 better. 

Yep when you look at early 00s it was a boom period for so many different genres of music. Loved early 00s

Posted
1 minute ago, TheSaviourisHere said:

Yep when you look at early 00s it was a boom period for so many different genres of music. Loved early 00s

Golden era. Then I had 10 years of tracks that stapled my youth from about 1997 to 2007, so across 2 decades. When I listened to Radio 1 a lot, and they still played 90s stuff frequently till about 2002. I was still a fairly young person when 2010 came around at 22-23 years old. Thing is though, even being a young person through a lot of the 10's the music never had that same 'impact' I felt. It was mostly too much of the same artists, same production, built to be a flash in the pan. A sign of the times we lived and still live in, social media heavy. Nothing lasts. Not that there wernt good songs, but they never seemed to make an impact on the world as tracks did from say the previous 5 decades.

Doing a nostalgia show for the 10's I would find hard personally, because nothing instantly jumps out at me aside from Little Mix, Ed Sheeran or novelty records like Gangnam Style. Just what I see of it and I was involved in a fair chunk of 2010s.

on the grid.

Posted
1 hour ago, DC said:

Golden era. Then I had 10 years of tracks that stapled my youth from about 1997 to 2007, so across 2 decades. When I listened to Radio 1 a lot, and they still played 90s stuff frequently till about 2002. I was still a fairly young person when 2010 came around at 22-23 years old. Thing is though, even being a young person through a lot of the 10's the music never had that same 'impact' I felt. It was mostly too much of the same artists, same production, built to be a flash in the pan. A sign of the times we lived and still live in, social media heavy. Nothing lasts. Not that there wernt good songs, but they never seemed to make an impact on the world as tracks did from say the previous 5 decades.

Doing a nostalgia show for the 10's I would find hard personally, because nothing instantly jumps out at me aside from Little Mix, Ed Sheeran or novelty records like Gangnam Style. Just what I see of it and I was involved in a fair chunk of 2010s.

That was true for the charts like 2015 number ones lasted months and it became the same names that dominated it with Drake, Ed Sheeran, Taylor Swift, Justin Bieber, Ariana Grade and Calvin Harris. I think there amongst a heavy single and less project heavy decade there were some quality albums and projects. 

I think theres that thing amongst the mainstream it seems to be over-dominated now with that continue set of artists that left me unbothered with checking the official charts and following who’s in the top ten. But if you want to put the effort can put the effort to explore individual taste.

Posted
1 hour ago, TheSaviourisHere said:

Yep when you look at early 00s it was a boom period for so many different genres of music. Loved early 00s

I think 10s had the rebirth of grime, then scope of UK rap stuff like EDM, dubstep, afrobeat and k-pop and stuff like that. Where some of the sub-genres seem more niche and only attracting a certain demographic and audience.

Posted
1 hour ago, TheSaviourisHere said:

I think if Radio 1 do eventually drop 00s show then yes i can see Sounds of the 00s coming to Radio 2. I remeber when Absolute Radio used to do the 80s Hour every morning at 10 and it was so popular next thing you know the birth of sister station Absolute 80s

Think in 4-5 years time it might launch and suspect that in eary 2030s Radio 2 may ditch sound of the 60s potentially.

Posted
1 hour ago, DC said:

The problem is with Radio 2 having the 00s stuff, is that they need to grow some balls so to speak. We can't have play it safe Sophie Ellis-Bextor and Will Young all the time. They need to play stuff like Pendulum, Linkin Park, Slipknot. Some of the popular dance and trance stuff too. This is how the 00s was and how we remember it. Otherwise if they don't it still suits Radio 1 better. 

I think that between 6 Music and Radio 2 they can definately focus on playing and spinning some of the decade like they are I mean I could imagine Radio 6 playing slipknot from time to time to maybe some of the dance in rave forever some are already in indie forever with the indie music like The Strokes and Yeah Yeah Yeahs but don’t think that any station in the BBC needs a regular committal to playing set hours of a selected decade in their schedule. That said with Dance if they hadn’t scrapped Ana Matronic’s Dance Devotion and continued with a dance themed show they wouldn’t have a issue with the dance genre and think that gives too much weight for Charlie Hedges to pick up a mix of the genre on Saturday afternoons

Posted
10 minutes ago, BBCAaron said:

Think in 4-5 years time it might launch and suspect that in eary 2030s Radio 2 may ditch sound of the 60s potentially.

I can see that, but it depends if there's anyone left alive to moan. People are living longer now. It won't happen but there needs to be a 'Radio 3' that rivals smooth, playing everything pre 1990. Radio 2 has too much of an age range on it's plate.

on the grid.

Posted

I never see this happening but think maybe for some of BBC Radio’s archive they make some of that responsibility of the content rights of BBC Studios that could sell its archive programming to third party and commercial networks including likes of Boom radio if they wanted to get access to the rights of some of it’s older content to solve this problem. I think that if they did a radio 2 extra as people want it it would just end up being Radio 4 Extra in terms of dishing out repeats. 

I see when it gets past time when Tony Blackburn, Paul Gamboccini and Johnnie Walker leave the station I think there won’t be anyone of the current intake of presenters that the elder listeners would listen to presenting a show that focus on that era that by 2030 will be seventy years old. I think the BBC inevitably needs to make difficult decisions.

Posted
16 hours ago, DC said:

I can see that, but it depends if there's anyone left alive to moan. People are living longer now. It won't happen but there needs to be a 'Radio 3' that rivals smooth, playing everything pre 1990. Radio 2 has too much of an age range on it's plate.

Even so, I'd also happily listen to Mark Lamarr doing 'Sounds Of The 50's' in some graveyard hour .. 

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Posts

    • Yeah if it is proper flu that can knock you out for two weeks sometimes.
    • I had Covid back in September took me best part of a week to be able to do things again this flu that’s going round is bad so radio 1 might have told him to stay off 
    • I would assume Sam and Danni as well
    • I hope Dean’s ok, he’ll have been off all week!
    • Sam and Danni now in for Greg this Friday with Lauren and Conor in for them. Dean must not be feeling better yet.
    • I have a feeling that Vick Hope will leave next year and Emil will present Going Home with Katie & Jamie whenever he turns up
    • “I have to speak my truth… I’ve never watched Love Actually.” “Mary Berry says you should get up and get dressed.” “If you don’t feel festive after this, you have a cold heart.” Tuesday Energy, Festive Voices and the Walking in the Air Takeover Scott Mills leaned fully into Tuesday morning with warmth, mischief and maximum Christmas spirit. Still dealing with the fallout from his Love Actually confession, Scott opened by sharing listener reactions as the mailbag continued to “bulge”, with emails ranging from polite disappointment to outright disbelief. Ellie Brennan and Stefan Powell were firmly in the mix, keeping the show grounded with travel, news and gentle teasing, while Scott embraced his role as festive chaos conductor. The tone was set early when Scott encouraged listeners to send in their attempts at Walking in the Air, insisting he “wasn’t asking” but absolutely loving that everyone did anyway. What followed was a surprisingly emotional and hilarious parade of voice notes. From warm-ups involving “minimal animal” to unexpectedly operatic performances, Scott treated each effort like a West End audition. One listener’s vibrato stopped him in his tracks, while another was invited to “warm up properly and try again later”. It was a classic Scott Mills segment — inclusive, silly, and joyful — with the added bonus that it paved the way for one of the day’s biggest guests later on. Pause for Thought: Solitude, Christmas and Being Fully Yourself Tuesday’s Pause for Thought came from Governor B and landed with real emotional weight. Reflecting on Christmas, identity and the idea of “two halves of life”, he spoke honestly about shedding old masks and learning to live more authentically. He shared that this Christmas morning he’ll go for a solo run before picking up his children, explaining that being alone doesn’t always mean being lonely — sometimes it means peace. Scott listened intently, clearly moved, and thanked him warmly afterwards, while listeners texted in to say the words had made them cry and rethink their own festive routines. Strictly Finalists: George and Alexis George Clarke and Alexis Charleston joined Scott live in the studio ahead of the Strictly Come Dancing final, and the excitement was unmistakable. Scott began by locking eyes with George and saying the words out loud: “You’re in the Strictly final.” George laughed in disbelief, admitting it still didn’t feel real and joking they must have “got the wrong George.” With no prior dance or performance experience, George reflected on how surreal the journey has been, especially learning not just the steps but how to command a stage — something Scott was keen to praise repeatedly. Alexis spoke with pride about George’s transformation, describing the early hesitancy and overthinking that gradually gave way to confidence and trust. She pinpointed a turning point when George stopped analysing every move and started fully committing emotionally. Scott related deeply, sharing his own memories of learning to dance and how vulnerable it feels when performance isn’t your natural comfort zone. The partnership between the two felt genuine, affectionate and supportive — exactly the sort of dynamic Strictly fans love to root for. Family came up often, with George sharing how meaningful it’s been for his grandparents and parents to watch him on a show they truly understand. Scott joked that radio success never quite impresses grandparents, but Strictly absolutely does. Listener messages poured in calling George “what Strictly is all about”, leaving him visibly touched and slightly embarrassed. Alexis added that what audiences see is exactly who George is off-camera — kind, genuine and thoughtful — a comment Scott wholeheartedly agreed with. The conversation moved on to the final itself, with three dances looming and hopes of a perfect 40 still alive. Alexis admitted she’s “manifesting it” and jokingly suggested twerking again if that’s what it takes to win Craig over. Scott loved the optimism, teasing that anything is possible on final week. Talk of the Strictly tour followed, with Scott reminiscing about his own experience and warning George that tears at the end are mandatory, no matter how tough the rehearsals get. Before they left, Scott read out one final listener message praising George’s confidence growth and kindness. Alexis looked like a proud sister, and George quietly absorbed the love, saying how strange — and lovely — it feels to be supported by people who didn’t know him a few months ago. Scott sent them off with genuine warmth, reminding listeners they could watch the final on Saturday night, and promising more Strictly finalists all week. Aled Jones and Carrie Hope Fletcher: Elf, Legends and Walking in the Air The festive atmosphere ramped up even further when Aled Jones and Carrie Hope Fletcher arrived to talk about Elf the Musical. Scott immediately addressed the elephant in the room — Walking in the Air — and Aled took it all in good humour, admitting he used to mind the constant references when he was younger but now just thinks about “the money”. Carrie laughed along, clearly loving the energy of the studio and the affection everyone still has for Aled’s iconic voice. Carrie spoke passionately about playing Jovie, describing her as jaded, anti-Christmas and very New York — until Buddy the Elf softens her. Scott was delighted to learn that Buddy is played by Carrie’s real-life husband, Joel Montague, and that he barely leaves the stage for the entire show. Carrie joked that she spends half the night drinking tea in her dressing room while Joel tap dances relentlessly, before helping him with his tap routine each evening. Aled shared stories from his childhood, including listening to Les Misérables on repeat during long train journeys to London to avoid people staring at “the kid from The Snowman”. Carrie, a huge Les Mis fan herself, was visibly impressed, and Scott immediately suggested a duet. This led — inevitably — to Scott producing his tin whistle and attempting Walking in the Air live on air. Carrie diplomatically praised the effort, while Aled kindly suggested “everyone has to start somewhere”. When Aled finally sang Walking in the Air properly, the studio fell into reverent silence, with Scott calling it “one of the all-time greats”. He reeled off Aled’s career highlights — singing for royalty, the Pope, selling millions of albums — before declaring that being a traffic cone on The Masked Singer might still be the pinnacle. Aled agreed, admitting it was also the hottest he’s ever been on television. Carrie reflected on how joyful it is to perform a Christmas show in December, especially when audiences are craving escapism. She teased the snowy finale that leaves some audience members soaked and laughing, while Ellie Brennan confirmed she’d experienced it firsthand. The pair spoke warmly about working together and their shared theatre history, with Scott finishing by urging listeners to catch Elf the Musical before it closes in early January. The Easiest Quiz: Redemption and the Feast of Stephen The Zero Percent Club redemption continued with Rachel from Cornwall returning to the Easiest Quiz after previously not knowing the colour of the TARDIS. This time, she stormed ahead with confidence, only to be momentarily derailed by a lyric-based curveball involving Good King Wenceslas. Scott gleefully explained “the Feast of Stephen”, while Rachel laughed it off and celebrated a very respectable 16 points. “The redemption tour,” she declared — a phrase Scott immediately adopted. Birthday Game The Birthday Game took Scott to the Tyne Valley to celebrate Rachel’s 50th, complete with romantic Lake District memories, future Amalfi Coast dreams and a teams call her boss didn’t know she was missing. When Green, Green Grass of Home by Tom Jones landed on the spinner, Scott celebrated a Welsh cultural moment with full sincerity — briefly interrupted by his own instinct to move things along, before apologising and letting the emotion land. The post 16 December 2025: Strictly Finalists, Elf Stars and Aled Jones Light Up Radio 2 first appeared on Unofficial Mills.View the full article
    • Ellie Brennan in for OJ Borg on overnights Christmas Eve into Christmas Day, Boxing Day, plus the 29th to 31st December.
    • Feels like it'll be the most consistency Going Home has had in a while.
    • Have Jamie Laing & Emil Franchi presented a show together this year?
    • Danni has spoken about her boyfriend on Instagram and tagged him in pictures. Jon Wilson, who is a camera operator at ITV News in Wales.
    • I remember when he did a whole thing on me never having seen James Bond, at least I've seen Love Actually 😂
    • “I have to speak my truth… I’ve never watched Love Actually.” “It’s part of British culture!” “Christmas is rubbish.” Monday Mood and the Final Week Before Christmas Scott Mills opened Monday’s show acknowledging exactly how it felt for a lot of listeners: the final full week before Christmas, running on fumes, but determined to power through together. With Ellie Brennan and Stefan Powell alongside him, Scott leaned into the shared exhaustion, joking that the team had “a touch of Ian Beale about us this week” and promising to get everyone through with warmth, humour and plenty of festive chaos. He welcomed listeners heading into their last days of work, posties on their rounds, paramedics on shift and parents deep in nativity logistics, setting a familiar, comforting tone for the morning The Love Actually Revelation That Shook the Nation The biggest talking point of the morning arrived early with what Scott described as a “massive festive revelation” from the Breakfast Show WhatsApp group. First, Stefan admitted he hadn’t done any Christmas shopping with just ten days to go. But it was Scott’s confession that truly stopped the show: he has never seen Love Actually. Gasps echoed through the studio as Scott doubled down, admitting he’d been “blagging it for years,” even during interviews with Keira Knightley and Rowan Atkinson. “None of it means anything to me,” he said, as Ellie and Stefan struggled to process the betrayal. Listeners flooded in to either defend or condemn him. Some admitted they’d never seen it either, while others demanded Scott watch it immediately “if you want us to keep listening.” Clips were played back of Scott confidently discussing plot points with the film’s stars, now exposed as pure performance. Eventually, Scott surrendered, promising a Love Actually watch-along for the nation. It was peak Scott Mills: honesty, chaos and the audience firmly part of the moment. Festive Kindness, Pause for Thought and Being There Amid the fun, the show made space for reflection. Rabbi Adam Zagoria Moffat delivered a particularly moving Pause for Thought, reflecting on Hanukkah, miracles, and how “real miracles don’t always look like miracles up close.” Referencing the tragic attack at a Jewish celebration in Sydney, Adam spoke about finding meaning in small, human acts during dark moments. Scott thanked him warmly, acknowledging how poignant it felt on a Monday morning filled with both celebration and heaviness. Later, Scott spoke directly to listeners who struggle with Christmas, reminding them it’s okay not to love the season and that the show would be there for them regardless — a quiet, sincere moment that resonated deeply. Mary Berry: Christmas Wisdom from the Icon Dame Mary Berry arrived just after 8am to huge affection, instantly elevating the studio with calm authority and festive warmth. Scott introduced her as “the sage” of Christmas kitchens, and together they played a game of “Berry Good or Berry Bad,” tackling festive dilemmas faced in homes across the UK. Yorkshire puddings with Christmas dinner? A firm no. “You have them all year round,” Mary explained, suggesting Christmas should be about variety and special touches instead. Mary shared practical wisdom for cooks under pressure, especially those with one oven. She recommended prepping vegetables like celeriac purée ahead of time and even roasting potatoes the day before and reheating them on Christmas Day. Scott listened intently, clearly relieved by the permission to plan ahead. Mary emphasised that Christmas food should be joyful, not stressful, and that organisation is the real secret ingredient. When asked about putting the tree up in November, Mary gently but firmly sided with December. She spoke fondly about family traditions, remembering homemade decorations her children made from egg boxes and foil — keepsakes she still treasures. Cooking Christmas dinner in pyjamas, however, was less encouraged. While early-morning prep might justify it, Mary admitted she prefers getting dressed properly for such a special occasion. “It’s an event,” she said, and Scott concluded that Mary Berry has absolutely never cooked in her pyjamas. The chat turned playful with viral Christmas games, including the online trend of eating a crème caramel without using your hands. Mary was unimpressed, calling it “uncouth” but conceded that Christmas games are essential. Her favourite? The sticker-on-the-forehead guessing game, which she declared perfect for all ages. Scott shared that it’s the only game his mum will play — a detail Mary loved. The segment ended with Mary addressing Rylan’s long-running claim that he doesn’t know what Brussels sprouts are. She firmly called him out, revealing she’d taken him sprout-picking herself, complete with white wellies. Scott promised to pass on her message, and signed off with, “Have yourself a berry little Christmas,” as Mary laughed and wished everyone a joyful festive season. Breakfast with the Beales: EastEnders Royalty Arrives Michelle Collins and Adam Woodyatt — Cindy and Ian Beale — joined Scott for what became a masterclass in soap nostalgia and behind-the-scenes brilliance. Scott greeted them as legends, and the affection was immediate. Adam revealed he listens to the show on his way to set every morning, especially loving the quiz, while Michelle joked about her tendency to forget major plot points — including who’s related to whom. Adam reflected on his extraordinary career, from joining EastEnders in 1985 to becoming its longest-serving cast member. He shared stories of starting out at the National Theatre as a teenager and being signed to Sylvia Young’s agency at just nine years old. Scott marvelled at how Adam has “pretty much always worked,” while Adam admitted there was only one month in his life where he didn’t know what job was next. Michelle spoke about Cindy’s return, admitting she was originally signed for just 11 episodes back in the 80s. “I’m still stuck with her,” she laughed. The pair discussed how viewers briefly rejected Cindy when she returned and behaved nicely. “They don’t want her good,” Michelle said. “They want her bad.” Adam agreed, noting that chaos is part of Cindy’s DNA. Christmas in Albert Square was teased heavily, with both guests carefully avoiding spoilers. They confirmed filming Christmas episodes months in advance, often forgetting details by the time they air. Adam recalled a legendary moment involving Bill Treacher, a turkey and nails — revealing that a turkey leg once had to be nailed back on for reshoots due to a shortage of backup birds. Scott was delighted. They confirmed that Pat Butcher’s return on 23 December will be unmissable, and hinted at further returns, including Barry Evans. Michelle admitted she hadn’t even known about some of these comebacks until after filming, underscoring how tightly guarded the secrets are. The conversation wrapped with talk of the New Year flash-forward storyline, which even the cast don’t fully understand yet. “You’re acting scenes without knowing why,” Michelle explained — a bold move that Scott praised. As Neil Diamond’s Sweet Caroline played them out, Scott thanked them for being such a huge part of British Christmas culture. “Christmas Day wouldn’t be Christmas without EastEnders,” he said — a sentiment no one argued with. Birthday Game and Zero Percent Club  The Birthday Game brought classic tension and laughs, with Sean the postie from the Scottish Highlands celebrating his birthday mid-rounds. Proudly wearing shorts year-round, even in snow, Sean eventually landed on Clean Bandit’s Rockabye, wisely avoiding a potential Vanilla Ice disaster. Elsewhere, the Zero Percent Club continued its festive redemption arc, with Grace from Brighton finally escaping her zero-point past and earning four points — greeted with genuine celebration from Scott. Handover with Vernon Kay As the show wrapped up, Scott handed over to Vernon Kay, sharing festive energy and teasing the packed week ahead — including Strictly finalists, Carrie Hope Fletcher from Elf, Alan Jones and a huge Big Guest Friday lineup. The post 15 December 2025: Scott’s Love Actually confession first appeared on Unofficial Mills.View the full article
×
×
  • Create New...
I’m raising funds to upgrade the Unofficial Mills servers, improve site speed, and safeguard the full Scott Mills archive. With Scott on breakfast, more people are visiting than ever, so every bit of support helps us grow and keep the archive alive.