Jump to content
Unofficial Mills

Bad news for Grimmy but good news for Clara, Scott and Greg


Jono

Recommended Posts

A good blog here from @Matt D on the RAJARs.

http://www.mattdeegan.com/2017/10/26/rajar-q32017/

Grimmy's slumped to the smallest audience for Radio 1 breakfast, but there's good news for Clara, Greg, Annie Mac, and Scott who have seen growing audiences. This somewhat contradicts that Radio 1's audience are shunning radio - although I guess they have more appeal with older audiences.

Moyles and Radio X are also on the up which is pleasing to see.

Link to comment
Share on other sites

I've made this point before but I feel Radio 1's target audience should be 16-35, and not 16-24 (or 29 officially) as it is now. Radio 2's target demographic is 35+, leaving no mainstream BBC radio service aimed for those of us aged between 25 and 35.

It's also all very well Ben Cooper talking about Radio 1's YouTube subscribers but without the pull of a strong breakfast show then there may well be less engagement with the platform. And of course radio should always be the priority.

I happen to quite like Grimmy now, however the show really needs a bit of a revamp. The finest moments are when Grimmy is just himself and not so "on-script"- for example I enjoyed him talking about his dogs yesterday, or when him and Fiona naturally bounce off one another. The entertainment news is quite good in the sense that it gives Grimmy someone else to bounce off but there seems to be heavy reliance on it as a "feature".

Link to comment
Share on other sites

On ‎26‎/‎10‎/‎2017 at 6:55 PM, Ant L said:

I've made this point before but I feel Radio 1's target audience should be 16-35, and not 16-24 (or 29 officially) as it is now. Radio 2's target demographic is 35+, leaving no mainstream BBC radio service aimed for those of us aged between 25 and 35.

That would never be allowed - 30-45 is purposely neglected by the BBC so that commercial radio can get a look in. If Radio 1 skewed its remit to be older, the Radiocentre would have a fit. Bear in mind that the whole emphasis on getting Radio 1's average listener age down in the first place was started by Radiocentre, they'd never allow them to make the target demographic wider. I guess when I hit 30 (it's a long way off yet) I'll just toddle along to Heart and enjoy turning up the feel good to Olly Murs, Take That and Corona all day.

Link to comment
Share on other sites

Quote

The remit of BBC 6 Music is to entertain lovers of popular music with a service that celebrates the alternative spirit in popular music from the 1960s to the present day. Its programmes juxtapose current releases outside the mainstream with earlier recordings, including music from the BBC Sound Archive. It should provide context for the music it plays, and support live music and new artists.

That's from the 6 Music service licence - its remit is focussed on its output, not its audience it seems.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Posts

    • I do think if you distracted by talking you wouldn’t put a podcast on in the car. To me unless you used to driving so often that you don’t get distracted and drive for long distances it feels suited to podcasts. I find it odd including Ryan Seacrest or Howard Stern as I don’t know who listens to them in the U.K. Can imagine Chris Evans distracting and annoying on radio in general same for Chris Moyles. I can imagine Scott as not too distracting maybe even in his radio 1 days although if I was a driver I could find Innuendo Bingo or Funny Business distracting based on the humour of the features but Scott’s got a very soft gentle tone of voice doesn’t come across as loud or in your face. I think when you are on in the working day where people maybe listening as said in car, in the office or tradespeople on a job listening to the radio theres a certain style needed
    • Yes, good on you doing your own music blog website. I get that point with the 100% all new music can be alienating but think thats more if the station were to do more totally new bands and artists the thing that new music shows that preceded Jack have always have reflected big artists national and international who have been around for a while be that few years to a decade or two whether playing new stuff from artists to Dua Lipa, Coldplay or Nia Archives. I find its bizarre how music curation has changed a lot in the last decade as what I like of what radio can do well is that ability to hear an audible description of a new artist and information about their music with sense of opinion and thought from the presenter and an interview with the switch to sound features and spotify playlists. It’s not that same magazine effect that Steve Lamarq and Jo Whiley could be an audible magazine show like the NME to Zane Lowe’s radio 1 show complimenting Gonzo which Saunders has revived for MTV
    • I would argue against that, I once drove my car into a post listening to Scott Mills.  But it was back in the day, he was doing Stupid Street with Chappers at the time!
    • My perspective when saying ‘alienating’  was from a listener , a new listener to a new music show where every track is unfamiliar can be alienating. When I used to run a music blog website and took my eye off the ball it could be hard to get finger back on pulse. I remember first listening to after 7pm on radio 1 and it feeling like a different world of music completely as a teenager- I think this format knocks them barriers down and makes a smooth transition from daytime playlists to new music show  taking listener deeper down as show progresses yeah you are bang on with setting the agenda - what a great influential role to have  
    • Fair play to Jordan north who’s got himself to 5th least distracting, but Greg has managed 8th MOST distracting, and Rickie who is 12th most distracting.
    • 29th April has Alyx Holcombe in for Daniel P Carter on the Rock show and Nels Hylton in for Alyx on Introducing Rock. --------------------------------------------------------------------------------------------- Monday 6th May (May Day Bank Holiday) schedules are completely different. Looks like it's a Countdown to Radio 1's Big Weekend day. Changed timeslots in the morning as well with no presenters listed. 6am-10am (Breakfast slot changed from 7am-10:30am) 10am-1pm (Mid morning/early afternoon slot changed from 10:30-12:45pm) 1pm-3:30pm (As normal) 3:30pm-6pm (No Newsbeat) 6pm-8pm (Replaces New Music Show) Rest of evening schedule as normal.
    • What does that even mean? 😂
    • Not sure what it really means, but Scott Mills is one of the least distracting DJs according to new research. https://www.thisismoney.co.uk/money/cars/article-13283609/Most-distracting-radio-podcast-hosts-driving-revealed-Mark-Wright-Chris-Evans-list.html It says Radio 1 though, which is not only inaccurate, but also I can only imagine it applying to his Radio 2 show. How many sounds effects did he used to play on Radio 1, ha.
    • I would rather do the new music show than the breakfast show early starts, being cheery and entertaining isn’t my vibe and being hip and on trend. With new music it’s a different kettle of fish that could get my teeth into and enjoy researching and planning of the show and coming up with ideas and making my mark in away that I don’t think I have the ideas for a breakfast. I don’t see how it could be alienating but I enjoy the niche and speciality of expertise that new music shows gives it’s good spot of giving you the headlines and setting the agenda of mainstream music.
    • Absolutely, Jack is such an incredible broadcaster already, incredibly entertaining with such brilliant music knowledge and his excitement is contagious, I've never really listened to New Music Shows like Future Sounds but I'm instantly invested in new music due to his show, as I'm sure many others are too.  yes the effects are a little strange but after listening back they're strangely charming when you get used to them. 
    • Jack has smashed it He was born for this show, he said he’d been dreaming of it and you could tell. Such passion and energy as always with Jack but in a show that can grab people’s attention and drag them down the rabbit hole of new music if you had a keen interest in discovering new music but haven’t in a while, new music shows can be alienating with no familiarity until you ‘get into it’ - the new show has ensured you can ease into to get back into sync . i love the Zane influences - he will be the forefront of where every emerging and returning artist wants to be with this show . Very excited for this chapter
    • Oh I though they were nbh studios   
    • Yes, I feel that unless it’s for a special sessions with a large ensemble band that for live sessions going out live on the radio. Never saw why they haven’t used the live lounge studio and feel that room could be used more.  
    • Interesting now Zane has for apple interviewed anything from an artists that have charted and doing less interviews with new and emerging talents chatting to Shakira, Usher, Kelly Clarkson and Shania Twain. Yes, that is a positive thing about Jack Saunders. Although I don’t mind it from time to time for a presenter to be honest and spill an unsavoury opinion about music on the station like Annie did with Fall Out Boy.
×
×
  • Create New...